In a groundbreaking exploration of Korean Science Fiction, this study meticulously analyzes the distinctive qualities that set Korean SF apart while scrutinizing the perceived shortcomings in American productions. Focused on selected films and web series from the last decade, including notable titles like Hellbound (2021), Monstrous (2022), Kingdom (2019), Train to Busan (2016), and The Host (2006), the research delves into the intricate narratives, stunning visuals, and complex themes that define the genre's current state. The study advocates for a re-evaluation of the traditional formulaic approach in American science fiction, emphasizing the importance of creative storytelling and thought-provoking concepts.
A comparative analysis between Korean and American SF films and web series aims to unravel the reasons behind the success of the former and the potential decline in the latter. Addressing gender and sexuality issues, as well as the influence of neoliberalism in Korean SF, the research underscores the significance of cultural specificity and originality in shaping SF storytelling. By employing theories such as Reception theory, Narrative theory, and Genre theory, while drawing on cultural studies and postmodernism, the paper provides a thorough examination of how audiences interpret and engage with Korean SF.
Key features of this research include its citation, showcasing its resourcefulness in contemporary studies of Korean sci-fi. The study emerges as a groundbreaking work in the realm of Korean SF studies, offering valuable contributions to the field and deepening our understanding of the genre's nuances and cultural significance. The Paper can be read here: https://www.mendeley.com/catalogue/527d18bd-8fd8-3438-80c9-837a59a38b29/
コメント